Lisbeth Salander and Mikael Blomkvist find themselves caught in a web of spies, cyber-criminals and corrupt government officials – both in Sweden and in the United States – whom are only know as The Spider Society.
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Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD’s sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
For thousands of years, evidence of life after death has eluded mankind. Science is about to change that. With the help of a physicist, a blind medium, and Thomas Edison’s final experiment, Brayden Taylor embarks on a quest to contact his deceased fiancee. For his love to transcend dimensions, he must defy the laws of quantum physics. He must defy the balance nature demands. He must defy … Einstein’s God Model.